Friday: Mount Eerie and No Kids
So there are many cool events happening around Budapest these days. In fact, this weekend is gonna be one of the coolests. On friday, the Lamantin guys host a party with Mount Eerie (whose 2008 album with Julie Doiron made it into Kunk’s bests) and No Kids. Mount Eerie is touring their last LP, Wind’s Poem which is haunting dream with such a desperate voice failing to hold on to anything that it kinda casts you into inner darkness. The chaotic lo-fi experimentalism and the amazing singing-songwriting talent meet in the crossroads somewhere between Elliott Smith and (self-proclaimedly) “black metal”. Naturally, you should rather imagine epic noiseclouds like those evoked by radical post-rock bands like Russian Circles. Mount Eerie will be accompanied by No Kids, a Canadian indie pop outfit on the happier and cuter end of the musical scale. So see you all Hungarians on friday, and of course, the other part of the weekend’s awesomeness is Kunk’s very own Discotexas night with Xinobi on saturday.

Mount Eerie – Wind Speaks [mediafire] // [ysi]







Jr, Pavement, Guided by Voices and other giants of American indie. This means heavy and screaming guitar noise, disharmonic feel, creative drum patterns and the vocals which sound dry and honest, burned-out, desperate and full of tragedy without anything cheesy. They cleverly move along the borders of shoegaze, lo-fi and post-hardcore (I especially love how they remind me of Hot Snakes and Les Savy Fav). Sensitivity also plays a large part, the jingling guitars and slower stand-outs are in nice contrast with the blitzkrieg of power-driven guitar-whirlwinds. The fuzzy overdrive of the album is an awesome proof that there is a huge non-mainstream source of rock music from previous decades that’s still worth preserving and drawing on. Give the band some myspace-love and buy the album when it comes out early April.
the electro-freaks of Australia, etc, sometimes we have to share some beauty or beast that doesn’t wanna make people dance. This is the case with 